"The Seven Lamps of Architecture", 2nd. Ed. 1855 p. xii

'... little by little, it gradually became manifest to me that the sculpture and painting were, in fact, the all in all of the thing to be done; that these, which I had long been in the careless habit of thinking subordinate to the architecture, were in fact the entire masters of the architecture; and that the architect who was not a sculptor or a painter was nothing better than a frame-maker on a large scale.'

John Ruskin